How to Nail a Speech

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? ————— accreditation ————— ?
A spotlight whips over to your face, shining brightly in your eyes. The sweat on your brow is glistening. You are suddenly not wearing pants, and an entire auditorium is pointing at you. Quarterly returns are down and you have to break the news; this audience is full of your investors. The PA system is broken and keeps looping an inappropriately sensual song. You must deliver your presentation, and save the civic center from being torn down. Go.
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Unedited footage for this video ($5+ patrons):
https://patreon.com/posts/34868597
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Thanks to Brian Govatos for talking to Brian and Jason about communication techniques. You can learn more about his work at https://methodologycoaching.com
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Items From This Video (affiliate links)
Truth in Comedy: The Manual for Improvisation (Halpern/Close/Johnson, 1994)
https://amzn.to/2Q7XgSe
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Music used in this video:
“Smooth wit’ any groove” by flofilz, psalm trees
https://chillhop.bandcamp.com/track/smooth-wit-any-groove
“Grandiose Soul” by Masked Man
https://chillhop.bandcamp.com/track/grandiose-soul
“Sun In My Face” by Aso
https://chillhop.bandcamp.com/track/sun-in-my-face
“Ups n Downs” by baaskaT
https://chillhop.bandcamp.com/track/ups-n-downs
“Carbon” by Otesla
https://chillhop.bandcamp.com/track/carbon

Most of the music from the show: http://bit.ly/mrspotify
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Post-production powered by Doghouse Systems
https://doghousesystems.com/v/rogue/
Use promo code “ROGUE” and get a free 250gb SSD now!
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This video was made with the help of:
Brian Brushwood – host — https://twitter.com/shwood
Jason Murphy – host — https://instagram.com/captainmurphy
Brandt Hughes – camera operator / editor — https://twitter.com/gatowag – https://instagram.com/gatowag
Bryce Castillo – camera operator (ep) — https://twitter.com/brycas
John Rael – camera operator — https://twitter.com/skepticallypwnd
Annaliese Martin – live audio engineer — https://twitter.com/amuseliese
Cory Cranfill – production assistance — https://twitter.com/ccranfill
Brian Govatos – guest — https://twitter.com/briangovatos
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Our Mailing Address
Modern Rogue
539 W. Commerce #1975, Dallas TX 75208
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Scam Nation: https://youtube.com/scamschool
Patreon: https://patreon.com/modernrogue
Discord (patron reward): https://discord.gg/modernrogue
MR Website: https://themodernrogue.com
Outtakes & BTS: https://youtube.com/scamstuff
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26 Comments

  1. You know you want to learn how to use a butterfly knife. Well, learn in safety and style with a butterfly bottle opener! Join Brian and Jason on their classic butterfly knife journey: https://www.youtube.com/watch?v=PJnHLhuBh6Q
    We’ve got a free Butterfly Bottle Opener for four winners of this weeks Scam Stuff giveaway, just enter at http://gimme.scamstuff.com (no purchase necessary, giveaway ends 3/19/2020).
    Congrats to the winners of last weeks Extra Credits DVD: Kalani Bari, Benjamin Fitzgerald, Christopher Pierce, Andre Susanto, Vassilis Ananiadis, Bentley Bliley, Dayton Daniels, James Mickle, Martin Quist, and Joe Miller (we will contact you via email within the next two weeks)

  2. I was at a gun show and turned around and I saw someone that looked like Brian and almost freak out then the guy spoke and talked like a hillbilly

  3. You guys should do an armor episode where you not only make your own armor but test out different types ( chain mail, iron plated, etc ) please and thank you you guys rock and hope you have a splendid day

  4. Am i part of the minority then with attention spans? I mean, personally it’s short, but like for YouTube and stuff, i enjoy videos that are between 15-80 minutes long. Like let’s plays by Markiplier and jacksepticeye versus watching a video on how to deliver a speech more easily. One is naturally longer than others. Also with music, i get really upset if a song i like is only a single. I prefer having more content from an album, so much so that i actually have a collection of CDs lolz. And I’m 21! I’m very young but have a much ilder way of looking upon the spice of life. I like things being longer, taking up more of my time.

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